Metahaven

einaidea Self-assembly: Metahaven. Intensive workshop

La Capella/einaidea Concentric Program

In collaboration with La Capella and the Concèntric 2025 program, einaidea  is organizing a three-day intensive workshop with the Dutch collective Metahaven. Taking as a starting point the filmic, poetic and graphic research of Metahaven in their recent works, the workshop will explore issues related to generative technologies and the ways in which they affect our forms of agency, expression and emotion. In what ways are our stories organized and edited in a world dominated by disinformation, covert propaganda, censorship and hallucinated content? The workshop is aimed at anyone who wishes to explore the technopoetics of the moving image with one of the most renowned transdisciplinary collectives of our time.

Metahaven’s work—founded by Vinca Kruk and Daniel van der Velden—includes film, design, installations, and writing. Metahaven has presented solo exhibitions at MoMA PS1, New York; Guggenheim Museum Bilbao; ICA London; Stedelijk Museum Amsterdam; Herba Bona Center for the Arts, San Francisco; Asakusa, Tokyo; Izolyatsia, Kiev; e-flux, New York; and State of Concept Athens, among others. His films have been screened at IFFR, Docs Against Gravity, CPH, and MoMA, among others. Metahaven has participated in group exhibitions at Artists Space, New York; Gwangju Biennale; Sharjah Biennale; Busan Biennale; Ghost: 2561, Bangkok, and many more. Metahaven is currently an artistic advisor at the Rijksakademie, an affiliated researcher at Antikythera, and department head for the MA Geo-Design at DAE.

This activity is part of Autoensamblatge, a series of workshops organized by einaidea around the poetics of the collective, the codes of self-organization and material cosmopolitics in the context of post-digital culture.

Free activity with prior registration. To participate, write to einaidea@eina.cat before February 15.

Images

9 peces

9 pieces

Carolina Campos / María Castillejo / Karin Dilge / Julia Favero / Beatriz Mínguez / Pandora — Amelia Estrada / Cristina Reid / Matías Salinas / Laura Zink

A shared curatorial experiment on dissonance, proximity and the friction of coexisting.

We can interpret 9 pieces as “thinking from afar” and “looking closely”. Two sentences that allow us to face the challenges between the personal and the structural realm, between the intimate and the political. The set of images and words chosen represents, in part, our anxiety about the different current realities that generate conflict for us. Hence, this glossary of concerns about the structural transformation of the present and about what it entails and what it challenges us.

9 pieces is not a conclusion, but a residue in question format.

This exhibition brings together the final projects of the Art and Technology of the Image (ATI) line of the Master's degree in Artistic Production and Research of the Faculty of Fine Arts of the University of Barcelona.

Visites comentades

Guided visits to the exhibitions 'The pilgrimage of the horned ones' and 'The mutant screen'

La Capella mediation team

From Saturday 17th May, the program of guided visits led by Miriam Leal, from the mediation team at La Capella, continues.

The guided visits at La Capella provide a space for storytelling, reflection and exchange of impressions between attendees.

Duration: between 30 and 45 min.

No prior registration is required. Meet at the reception of the center.

To arrange group visits and other times, send an email to lacapella@bcn.cat with the subject "Guided visit" or arrange them by phone.

Images

Related

Beques Barcelona Crea

Call for artistic creation residency Barcelona Photographic Archive and La Capella Art Center

Barcelona Create 2025 Scholarships

Within the framework of the Barcelona Crea 2025 Grants call, the Barcelona Photographic Archive and the La Capella Art Centre are offering a grant in the Visual Arts Creation category in the format of an artistic creation residency.

This initiative continues the alliance that the two facilities promoted in 2024 with the pilot residency carried out by the artist Irena Visa at the facilities of the Photographic Archive and which was curatorially supported by La Capella.

The Barcelona Crea Grants aim to contribute to maintaining the city's cultural and scientific momentum by offering resources to develop processes of artistic research and innovation. These grants are intended to support the pre-production processes that accompany the creation of artistic proposals (conceptualization, gestation, research, experimentation, documentation, etc.). One of the modalities, out of 16 offered for the 2025 edition, is being called by the Barcelona Photographic Archive with the La Capella Art Centre.

This alliance between the two facilities dates back to 2024 with Irena Visa's artistic creation residency in which the artist worked with the photographic funds and collections kept in the Archive's facilities and had the curatorial support of La Capella.

The grant that is being announced for the 2025 edition (modality B.2) Creation in Visual Arts – Barcelona Photographic Archive and La Capella, is aimed at supporting proposals for artistic creation in the field of Visual Arts with a clear specificity: the central interest in archival practices, working methodologies through the image and the desire to do a residency at the Barcelona Photographic Archive, thus testing possible ways of analyzing, dynamizing and rereading its photographic collection.

The selected candidate will have a workspace at the Archive headquarters for a maximum of 7 months (from September 2025 to March 2026). The Barcelona Photographic Archive will make its photographic collections and funds available to the resident artist, as well as the support of its technical team, and La Capella will provide curatorial support throughout the period.

The participation requirements, the application period and other practical information can be consulted on the Beques Barcelona Crea 2025 website.

https://www.barcelona.cat/barcelonacultura/ca/suportcultura/beques-barcelona-crea-2025

You can listen to the briefing session from Monday, March 3rd here:

https://youtu.be/eB2LnHkSgPs 

Links:

Barcelona Crea 2025 Scholarships

https://www.barcelona.cat/barcelonacultura/ca/suportcultura/beques-barcelona-crea-2025

Irena Visa

https://irenavisa.com/

Barcelona Photographic Archive

https://ajuntament.barcelona.cat/arxiumunicipal/arxiufotografic/ca

Visita Demà serà un altre dia

Guided visits to the exhibitions 'Banal Shit' and 'Tomorrow Will Be Another Day'

La Capella mediation team

Starting on Saturday, February 22, La Capella will begin a regular program of guided tours of the exhibitions Caca banal, by Daniel Moreno Roldán, and Demà sérà un altre dia, by Pol Clusella, led by Míriam Leal, from La Capella's mediation team.

La Capella's guided tours provide a space for storytelling, reflection and exchange of impressions among attendees.

Duration: between 30 and 45 min.

No prior registration is required. Meet at the center's reception.

To arrange group tours and other times, send an email to lacapella@bcn.cat  with the subject "Guided tour" or arrange them by phone.

Related

Malvidents

Workshop: Malvidents

Laura Arensburg

“Malvidents” proposes rediscovering the environment from strange perspectives that transport us to other spatial and temporal dimensions.

Put on our malvidents glasses and observe La Capella from this unfocused, cloudy, indefinite present. Stopping at the details, traveling to the pasts of its stones, sinking into its cracks, hallucinating strange appearances and perhaps glimpsed futures.

In “Malvidents” everything is revealed as doubt, but everything also becomes possibility.

Prior registration by email to lacapella@bcn.cat or by calling 932 562 044.

Laura Arensburg works with images and bodies in motion based on the observation of the intimate bonds she establishes with her environment. She investigates the dialogues, transitions, uncertainties and contradictions that cross contemporary physical experience and identity in audiovisual pieces and experiential instances - artistic mediations and performative conferences. She is a graduate of ENERC, a school of the Argentine Film Institute, and has completed the MACBA Independent Studies Program (PEI).

La Barrejada

Exhibition of the La Barrejada Laboratory

La Barrejada

La Barrejada is a sum of ingredients, people, languages ​​and stories that are mixed in a messy pot or a mess to create a common territory. For two months we have developed a culinary-creative laboratory in which we think of the kitchen as a space for reflection and community action, a process device for research and collective creation. Through the narratives that cross food, the act of cooking and eating together and various artistic languages ​​derived from the word, sound, image and body, we generate a space for experimentation and play in which culinary, poetic, visual, scenic and sound actions have taken place while we explore some detonating questions.

We invite you to the laboratory exhibition on Friday 7 June at the Solar de la Puri, from 7:30 pm to 11:00 pm

📍 Solar de la Puri, Carrer de la Puríssima Concepció, 22. Poble-sec 08004.

Doors open: 7:30 p.m.

Activation + dinner: 9:30 p.m.

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Project promoted by Lina Ruiz, Columba Zavala and Raúl M. Candela, with Adriano Galante and Ina Olavarría. Delocalized Project selected in Barcelona Production 2023-2024.

Dins de la roca. Excavació

Inside the Rock. Excavation

Édouard Decam and Théophile Seyrig

Roman sculptures, a museum.
An industrial quarry, a mountain.
An archaeological site, field research.

Excavating marble becomes dialogue and resonance.

Observing, documenting, collecting: establishing a protocol for experiencing places by capturing images, materials, gestures and stories. 

From block to sculpture, a scale of geological and human memory. Traces and materials in motion transformed into unexpected fictions, opening up new narratives.

This installation arises from this observation, autonomous support for the archaeological archive-quarry-excavation plinth. A prologue to our ongoing research.

Related

Catarina Botelho

Portraits, a collective exercise in imagination and reparation. Presentation of publication

Catarina Botelho

Over the past two years, Catarina Botelho has been searching, with limited success, for traces and information about the group portraits from the First Conference of Lesbian Women of the Spanish State, which took place in Madrid in 1980.

The three warm-toned, slightly out-of-focus photographic prints/images show a group of women sitting on a pavement. The sequence seems to be an attempt at a panoramic view. Some of the women change position between shots, creating a slight swaying motion, a minimal choreography. Their faces reflect something that oscillates between joy and anticipation, between celebration and restraint.

Although the event took place relatively recently, apart from the few women who were identified, discovering who the subjects are has proven nearly impossible. This lack of names, stories and memory became the starting point for the publication of Portraits, a collective exercise in imagination and reparation.

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