Visceral Blue

Visceral Blue. Photo: Pep Herrero

Visceral Blue

Visceral Blue. Photo: Pep Herrero

ANDREA BÜTTNER No fear, no shame, no confusion, 2005, grabado, 95 x 140 cm. Cortesía de Hollybush Gardens, London y David Kordansky Gallery, Los Angeles. © Andrea Büttner / VG Bild-Kunst, Bonn 2016.

Andrea Büttner, Benches, 2012. Photo: Pep Herrero

DEREK JARMAN Blue, 1993, 35mm transferido a video HD, 79 min. © Basilisk Communications Ltd

Derek Jarman, Blue,1993

WERKER MAGAZINE ‘My Private Life’ de la serie Werker 4: Economic Portrait of the Young Artist, 2016, Impresión sobre papel reciclado, 120 x 85 cm © Werker Magazine

Werker Magazine, Werker#4: An Economic Portrait of the Young Artist, 2015. Photo: Pep Herrero

JULIA MONTILLA Chroma Key (Ofelia), 1997, Fotografía color, 106 x 200 cm. Cortesía de la artista.

Julia Montilla, Chroma Key Ofelia, 1997. Courtesy by the artist.

Visceral Blue

Isaías Griñolo, Debla de la noche, 2016. Photo: Pep Herrero

Visceral Blue

Julia Montilla, Domingo todos los días, 2016. Photo: Pep Herrero

Visceral Blue

Sergi Botella, Pink Freud IV – La casa de Dios: De rocas y apnea extrema, 2016. Photo: Pep Herrero

Visceral Blue

Sidsel Meineche Hansen, Cmd, 2014, and Torture me so I can learn, 2014. Photo: Pep Herrero

Visceral Blue

Equipo Re, Anarchivo SIDA. Photo: Pep Herrero

Visceral Blue

Sidsel Meineche Hansen, Seroquel, 2014. Photo: Pep Herrero

Visceral Blue

Vermeir & Heiremans, Art House Index (AHI–), 2015. Photo: Pep Herrero

Curator: Anna Manubens

Visceral Blue

From February 5 to April 17, 2016. Projecte de comissariat. BCN Producció'15

-- Absent from other people’s meaning, accidental alien with respect to naïve happiness, I owe a supreme, metaphysical lucidity to my depression. On the frontiers of life and death, occasionally I have the arrogant feeling of being witness to the meaninglessness of Being, of revealing the absurdity of bonds and beings.-- (Julia Kristeva, Black Sun: Depression and Melancholia, 1987)

‘Being blue’ is an expression used to refer to an imprecise conglomerate of emotions that may signify sadness, dejection, melancholy, gloominess or depression. The argument put forward by Visceral Blue draws on the critical possibilities that arise from attributing a colour to a feeling. ‘Being blue’ avoids the inertia of incriminatory or normative terms and thereby makes it more difficult for us to consider ourselves as permanently safe from the blues. The exhibition stems from a wish to understand the current prominence of feeling blue and proposes an explanation that interprets the tendency to the blues as a collateral effect of the neoliberal paradigm.

Every economic model shapes a type of subject who, it goes without saying, benefits its dynamics and even embodies them. In the case of financial neoliberalism, principles such as speculation on value and the logic of credit are the gearing principle of economy, but also that which governs the construction of subjectivity. Adding another twist to the analysis of the consequences of cognitive capitalism, we could say that every facet of the subject and sociability are oriented towards the increase of appreciation in order to instigate investment.

This constant negotiation of one’s own value in the public sphere puts self-appreciation at risk and places us within specific mental and somatic co-ordinates. In the words of Michel Feher, it is possible to “associate speculation on value to an affective field polarised between depression and plenitude; between self-shame and self-esteem”. In this context, the possibility of failure when it comes to ratifying one’s own value before social, labour or political powers-that-be has a direct impact on self-esteem and steers us to the supposed negative end of the spectrum, that emotional conglomerate of ‘being blue’: shame, disorientation and endangered self-appreciation.

Given that the speculation on one’s own value is negotiated using external and systemic criteria, Visceral Blue goes against the privatisation of psychic suffering in the belief that it is perverse to hold the subject solely responsible for an unease that is linked to prevailing circumstances.

The exhibition is, firstly, an act of publicising. It is an attempt to facilitate a public and shared space for feeling low, for being not as attractive, efficient or eloquent as it is required of us. Secondly, the exhibition stresses the connection between feeling blue and financial exigencies, including pieces in which the visceral – a notion that blends the mental and the physical – is linked to economic or political in place. In many of the works, political struggles have a part of their battlefield in the mind and in the body.

Exposing this connection is intended not only to provide an understanding of and to democratise feeling low as the collateral damage of a model, but also – and above all – to think of it as a space of dissidence against that very model. Visceral Blue seeks to restore belligerence within fragility; to make it possible for the blue to become visceral; to suggest that fragility or weakness can be a space of lucidity and action, which often involves common agency; and to view the inadequate not only as something that does not suit the system but as that which deliberately refuses to adapt.

Artists who dare to inhabit and accept fragility, antiheroic gestures of empowerment, works that hold economic powers responsible for psychic vulnerability, and narratives that open up spaces – albeit holes – in which to indulge from the downer that comes after the constant high and over-stimulation of the cokeheads of Wall Street.

Artists: Andrea Büttner, Valentina Desideri, Quim Pujol, Sidsel Meineche, Vermeir & Heiremans, Derek Jarman, Werker Magazine, Isaías Griñolo, Julia Montilla, Sergi Botella, Roc Jiménez de Cisneros, Equipo Re

Activities: Visceral Blue

Dates: 2, 3, 4, 5  at 4pm, 5.30pm or 7pm and 6 March at 11.30am or 1pm
Place: La Capella 
Valentina Desideri: Political Therapy, individual therapy sessions 
Bookings: La Capella – (one person per session) (only in English or Italian language)
In collaboration with Bar Project

Date: 10 March 
Time: 7.30 pm 
Place: La Capella 
Quim Pujol: BDSMmm Presentation of the theoretical and practical framework for individual sessions that will take place from 11 March to 3 April

Date: March 
Time: 7.30 pm 
Place: Múltiplos bookshop 
Presentation of the book of the Visceral Blue exhibition, with Anna Manubens and Eloy Fernández Porta

Date: 3 April 
Time: from 1 pm to 3 pm 
Place: Plaça de la Trinitat (Sant Andreu) 
Festive encounter on the initiative of Julia Montilla, with a swap market, an aperitif, and an open mic for everyone.


Links / Artists

Sergi Botella

Andrea Büttner

Valentina Desideri

Roc Jiménez de Cisneros

Sidsel Meineche Hansen

Julia Montilla

Vermeir & Heiremans

Marc Roig Blesa / Werker Magazine



Cafè Schilling


Circuit d'Art contemporani de Barcelona

Fundació Suñol

Festival Loop

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