sense matriu

SENSE MATRIU. Graphics, digital printing and interactive

sense matriu

SENSE MATRIU. Graphics, digital printing and interactive

sense matriu

Jessie Morin-Davy, Fin de conte, 2000

sense matriu

Eufrina Ramis, Sèrie pesos, 1999

sense matriu

Eufrina Ramis

sense matriu

Joan Morey, STP_sideration soft / HAUTE COUTURE 2000'01, 2000-2001

sense matriu

Joan Morey, STP_sideration soft / HAUTE COUTURE 2000'01, 2000-2001

sense matriu

Carmen Romero, Okashi: the project of a lifetime, 2000

sense matriu

Carmen Romero, Please, make me cry, 2000

sense matriu

Jessie Morin-Davy, Fin de conte, 2000

sense matriu

Bernat Cisneros, Família gitana, 1999

sense matriu

Anna Marín, Memoria de aire, 1998

sense matriu

Montse Carreño, Siren, 1999

sense matriu

Montse Carreño, Nars, 2000

sense matriu
sense matriu

Ibon Sáenz de Olazagoitia, Variac 1, 2000

sense matriu

SENSE MATRIU. Graphics, digital printing and interactive

Group exhibition

SENSE MATRIU. Graphics, digital printing and interactive

From January 23 to March 4, 2001. Faculty of Fine Arts. UB

Coordination of the exhibition: Teresa Blanch, Martí Peran, Alicia Vela, Antònia Vilà.

Artists: R.G.Bianchi Montse Carreño, Bernat Cisneros, Anna Marin, Joan Morey, Jessie Morin-Davy, Eufrina Ramis, Carmen Romero, Ibon Sáenz de Olazagoitia


Sense matriu is ​​derived from the work done in the two editions of the graduate course Graphic work today: the engraved stamp fingerprint made in the Culture Department of the Faculty of Fine Arts of the University of Barcelona.
This postgraduate is the contribution with which the Faculty of Fine Arts has contributed to the PA & R program, European Printmaking Art & Research; a teaching project that has allowed to collaborate with different centers throughout Europe.

The course -the result of which a more panoramic, are available on CD edited propòsit- sought to explore the phenomenon of the art form today, gradually moved out of the body of the paper, and intense dialogue with new Technological means. Sense Matriu is, in this perspective, a volibly ambivalent expression.

On the one hand, it designates this widening of the territories of the printing beyond the matrix of the traditional engraving. Of course, under this statement, the exhibition also wants to insinuate the weather conditions from which contemporary production is developed.
Parallel to the exhibition Sense matriu, there will be a series of panel discussions that include the participation of young artists from the exhibition, along with others of a more extensive history and spilled in this field of research plastic and visual that the new technologies are revealing.

During the three days, Alicia Vela, Antònia Vilà and Martí Peran, coordinators of the exhibition, will lead debates on the presentation of the lines of work of the artists.


January 30
7.30 pm Projects 1: "From the split of light."
Debate about the works of Montse Carreño, Joan Morey, Carmen Romero, Ibon Sáenz de Olazagoitia. Presentation and moderation: Alicia Vela.

February 6
7.30 pm Projects 2: "Ways to see".
Debate about the works by Bernat Cisneros, R.G.Bianchi, Anna Marin, Jessie Morin-Davy.
Presentation and moderation: Antònia Vilà

February 20
7.30pm. "Digital image and new fictions".
Round table: Orit Kruglanski, Eloi Puig, Joan Urrios.
Presentation and moderation: Martí Peran

Within the framework of this event, the catalog of the exhibition will be presented.

Organised by: 

  • Institut de Cultura. Ajuntament 
  • Facultat de Belles Arts de la Universitat de Barcelona

Sponsored by:

  • Canson 
  • Hewlett Packard

Sponsoring media: 

- Radio4

- El País